She rose and replaced the chair. And suddenly a wave of pity passed over her for the dead woman, who had always seemed so lonely in the great stiffly-furnished house, and the tears came. The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another.!

They went into the drawing-room. Her father asked her to sing and Arthur opened the piano for her and lit the candles. She chose some ballads and a song of Herrick’s, playing her own accompaniment while Arthur turned the leaves. She had a good voice, a low contralto. The room was high and dimly lighted. It looked larger than it really was. Her father sat in his usual chair beside the fire and listened with half-closed eyes. Glancing now and then across at him, she was reminded of Orchardson’s picture. She was feeling sentimental, a novel sensation to her. She rather enjoyed it. Arthur had not been home since the beginning of the war. Twice he had written them to expect him, but the little fleet of mine sweepers had been hard pressed, and on both occasions his leave had been stopped at the last moment. One afternoon he turned up unexpectedly at the hospital. It was a few weeks after the Conscription Act had been passed.

And then there flashed remembrance of her mother. She, too, had laid aside herself; had thought that love and duty could teach one to be other than one was. The Ego was the all important thing, entrusted to us as the talents of silver to the faithful servant: to be developed, not for our own purposes, but for the service of the Master. “It makes me laugh,” he was saying, “all this newspaper talk. Every nation, properly led, fights bravely. It is the male instinct. Women go into hysterics about it, because it has not been given them. I have the Croix de Guerre with all three leaves, and I haven’t half the courage of my dog, who weighs twelve kilos, and would face a regiment by himself. Why, a game cock has got more than the best of us. It’s the man who doesn’t think, who can’t think, who has the most courage—who imagines nothing, but just goes forward with his head down, like a bull. There is, of course, a real courage. When you are by yourself, and have to do something in cold blood. But the courage required for rushing forward, shouting and yelling with a lot of other fellows—why, it would take a hundred times more pluck to turn back.” “Oh, I don’t know,” laughed Joan. “Dr. Johnson always talked of a ‘dish’ of tea. Gives it a literary flavour.”